Saturday, July 9, 2011

X-Men: First Class - A Mutant's Revisionist History


I didn't know what to expect going to see First Class. The two most recent X-men films, Last Stand and Wolverine, left some to be desired, the last one in particular. The trailers for this film looked decent, but I was still wary. I also don't really like the idea of restarting established series so soon after the last entry (*cough*Spider-man*cough*), but the reviews I had read seemed to speak highly of it so I took the chance. And I wasn't disappointed, at least not fully.

The film starts off exactly (I mean, shot for shot) as the first X-men movie did. We see young Erik Lehnsherr, being dragged from his parents in a concentration camp. The scene was, I believe, recreated using a new actor and not actually the exact same footage. The opening goes one step more, though and introduces us to our villain Sebastian Shaw (played by Kevin Bacon). Shaw forces Erik to us his power to save his mother's life, when he is unable to do so, Erik taps into his true potential, much to the pleasure of Shaw. Thus begins a life-long hatred of Erik for Shaw. The prologue also introduces us to young Xavier and Raven (Mystique), but it's not that interesting.

The story follows Xavier and Erik (later known as Magneto) teaming up as friends with the CIA to stop the Cuban Missile Crisis, which is being masterminded by none other than Erik's nemesis, Sebastian Shaw. Shaw has an army of minions (Emma Frost, a mindreading vixen who can turn into...diamonds?, Azazel, a devil look-a-like transporter and some guy that makes tornadoes with his mind, IMDb tells me his name is Riptide) which he enlists to help him start WWIII against all humankind. He believes that mutants are the future and therefore superior to weak humans. Xavier, however, believes it is possible to coexist peacefully with humans, once they get to know each other. So he joins the human CIA people to battle Shaw. Erik is just in it to kill Shaw. But, the good guys have to enlist help, so they find a group of young kids with special abilities (sonic voice, ape feet, some laser firing power, flight, etc) to help them.

The film is set in the sixties and that is one of the best parts of the movie. The cool clothes and sets give the movie a throwback feel that suits it well. I was impressed with how real the setting felt and how the filmmakers were able to make technology and fashion that was so dated, still look cool.

While the setting helped the film a great deal, the greatest asset this film has is the chemistry between the two leads. Erik and Xavier's battle over how to deal with humanity is interesting and Fassbender and McAvoy (the actors) do a brilliant job making it feel real. I've always thought the idea of X-men is intriguing, especially the idea that two nemeses could have been great friends. This film seems to imply better than the others, in fact, that these two care for each other even after they go their separate ways. It begs the question, how can you fight your best friend. They both understand each other perfectly, they just have different approaches to their collective problem.

The strength of First Class also is its undoing. Since the leads are so strong, the peripheral characters don't get a fair treatment. Sure, there's a little pathos with Henry McCoy (Beast) struggling with his identity, but it isn't enough. Most of the gang just seems to be there to fill a very specific roll in the climax that Erik and Xavier couldn't have predicted would have been necessary (even for those who can read minds). But the biggest weakness by far is the writing. The story is okay, straightforward, often predictable (how can it not be when you know the outcome of the Missile Crisis), and the dialog suffers. Only the scenes between Xavier and Erik have any real heart. Some of the lines are just laughable, especially Mystique's lines. I wished they made her more of a character instead of a caricature. Also, I was miffed with the ending. Seemed too all-of-a-sudden.

Despite weaknesses, though, this film is exciting and enjoyable summer fun.

3/5

Tuesday, July 5, 2011

Super 8: A Blast from the Past


I had high hopes for this movie. I mean a collaboration between Steven Spielberg and JJ Abrams? I'm in no matter what they're selling. I was also wary that my personal hype would cloud my judgement. But I'm happy to say that I was not disappointed. This film felt like Goonies, ET, and Cloverfield all wrapped together in a perfect package. It was suspenseful, heartwarming, nostalgic (in the best way), and hilarious. Being Abrams first film that was not a franchise (see: MI:3 & Star Trek) studios took a big risk with this film, but it definitely paid of both critically and commercially. (Most films these days really make their money overseas, but Super 8 made over double its budget back with little help from foreign sales.)

The story follows Joe Lamb and his friends as they attempt to make a zombie movie for a small film festival. One night while filming near some train tracks (for "production value") the kids witness a massive train wreck which they miraculously survive (They have to right? Otherwise there's no movie!). The train wreck seems like an accident, except to Joe who saw a truck drive head-on into the train. Soon Joe's small town is swarming with military and government officials who don't waste time in covering up the train crash. Something is missing from the train and it doesn't appear to be friendly.

Abrams is a huge fan of mystery and, for the most part, that mystery serves him well in this film. Like Jaws, the threat of the creature is scarier than the creature itself. But, the thing that gives the film its most suspenseful moments, also robs the film of its deserved emotional climax. At the end of the film we're supposed feel empathy for the creature, but we've spent so little time with it that we don't really feel anything. At the end of E.T. when he tells Elliot, "I'll be right here!" we're on the verge of tears. Joe's moment with the creature at the end of Super 8 feels contrived and simplistic. But it can be forgiven since the rest of the film is so well done.

The acting, for me, is what really makes the movie special. Anytime you work with younger actors you run the risk of, very quickly, wearing out your welcome. Making kids the stars of your movie only ups the stakes. Abrams did a brilliant job of casting mostly unknown kid actors. Instead of being irritating and juvenile, the kids are endearing and funny. Abrams walks a thin line and succeeds. My only qualm (expressed clearly by a friend of mine) was the amount of foul language used by the kids. I don't like swears as a general rule and younger kids using them doesn't help anything. I think it's difficult, but better, to find other ways of expressing frustration.

Overall, I loved this movie. It's the perfect film for anyone who grew up watching Spielberg's Amblin-esque films or who was an amateur filmmaker themselves.

4/5